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PAINTING

 Painting allows me to explore color, form, and composition in more expressive ways. In this body of work, I experiment with structure and perspective, often influenced by cubist approaches that break down and reconstruct forms. Through painting, I investigate how color, shape, and spatial relationships interact to create dynamic visual compositions.

SOME OF MY WORKS.

THEME; SYMBOLS OF BELONGING IN BUGANDA
TITLE; UNDER THE FLAG
MEDIUM; ACRYLICS ON CANVAS
SIZE; 72 INCHES BY 48 INCHES
KELLY LUZIGE, 2026

THEME; SYMBOLS OF BELONGING IN BUGANDA
TITLE; THE ROYAL TOTEM
MEDIUM; ACRYLICS ON CANVAS
SIZE; 72 INCHES BY 48 INCHES
KELLY LUZIGE, 2026

THEME; INCLUSIVITY AND EQUITY
TITLE; SKIN OF MANY TRUTHS
MEDIUM; OIL ON CANVAS
SIZE; 46.8 INCHES BY 33.1 INCHES
KELLY LUZIGE, 2025

THEME; CULTURAL HERITAGE AND IDENTITY OF THE KARAMAJONGS
TITLE; HERITAGE IN MOTION
MEDIUM; OIL ON CANVAS
SIZE; 46.8 INCHES BY 33.1 INCHES
KELLY LUZIGE, 2026

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ARTIST'S STATEMENT

I am a visual artist working across drawing, painting, and photography. My artistic practice is largely informed by cubist principles, where I explore form, structure, and multiple perspectives to reinterpret subjects in dynamic and fragmented ways. Through my work, I am interested in observing and translating the visual world into compositions that emphasize shape, line, and spatial relationships. My drawings and paintings often reflect a cubist approach, allowing me to break down and reconstruct forms to reveal deeper visual and conceptual layers. Alongside drawing and painting, photography forms an important part of my creative process. It serves both as a tool for documentation and as a medium through which I explore composition, light, and narrative in everyday environments. The development of each piece involves an iterative process of observation, experimentation, and refinement. Compositions evolve through the manipulation of line, plane, and spatial relationships, allowi...

ARTISTIC INFLUENCES

 My work is influenced by African artists who explore culture, identity, and expressive visual language. One of these artists is Malangatana Ngwenya , whose symbolic and expressive paintings reflect social and cultural narratives in Mozambique. I am also inspired by Ablade Glover in terms of color usage  and  Stella Atal , whose work engages with themes of African identity and everyday life through strong color and composition. These artists encourage me to explore form, narrative, and cultural context within my own practice in drawing, painting, and photography. MALANGATANA NGWENYA MALANGATANA NGWENYA CRY FOR FREEDOM, 1973 OIL ON CANVAS STELLA ATAL STELLA ATAL HUNTERS, 2003 ACRYLICS ON CANVAS ABLADE GLOVER ABLADE GLOVER CROWD, EARLY 2000s OIL ON CANVAS